or let that settle in the water
I have been very
watchful / all the while
the moon looking into the room
hard to tell / who gets closer
to knowing
or let desire become the word trust
we outgrow truth / only ever
the view from dreaming / still
calling out the names of planets
in your / gravel voice
or let a house fall down
the discipline of being / or tempting
the weather towards change
you are a woman / you do not move
becoming incremental / making holes
in white paper / holes as big as this room
big / as my body is for you now
or let the floorboards
at this table
I know every woman
I have loved / sits
very certain of her hands
or let the clothes hanging in your closet
the room is a collarbone / the bone breaks
in my big hands / the exchange makes me / larger
so large / I need / more space / the black
chair / the cat / the bowls in the kitchen / who
are you going to love when I / become them
or let a hollow in something
the room warns / laments/ saying
I am the temple you visit on Sunday
your love from elsewhere and only
when you need / forgiveness
or let this disclose color
the sea / makes it
so far from itself
you have done this work
for the sea / you did not
earn anything for it
or let instinct free from remorse
when I left / the room says
it was simple / but to return
I had to scale cliffs / I had to swim
or let image grieve
pain / open like a mouth
nights still hot / the moon doesn’t
remember ever having been here
the moons light touch / messes in the dark
waiting on her from inside
of bodies / the earth quakes
the earth still doesn’t need / our love
a counterpoint for belief / never fails
just like / the moon / getting sad
refusing / to drag / the sea
I/You is a conversational piece between visual artist Fern Wiley and Natalie Briggs. It is an attempt to tap into, even travel along the exchanges and connections taking place in Fern's work. Natalie believes that images keep secrets that words never can, and it was a challenge to respond without giving too much away. The minimal and expressive nature of Fern's drawings acted on the desire Natalie has to write herself into simplicity, into the very center of direction.
Natalie Briggs grew up in Australia and has been living in Portland, OR for the last few years. Her work has appeared in Lexicon Polaroid, Jerkpoet, and is forthcoming this fall from Pank.
Fern Wiley is a visual artist living and working in Portland, OR.