Oh well. She flexed herself to the times,
acres of camphor, hundreds of rays
of sleep, the moss that sealed over
her crotch. She turned on the outside
light, revealing the rust
on her porch, the trill
of her belly. Oh well. She paid
her taxes. A glossy orange sheet
where her body pressed through.
The breasts in silhouette,
lava tight around her fat. She was early
to the appointment and took
her vitamins, the blue first every day. Oh
well. And now her fingernails milky blue,
and in them, rain. A stork
sizzling over the hills.
I.
some kind of / exodus
unsticking me from a train
dropping off people
who keep talking to
cliffs / everyone floating down
to different water
II.
at times: goosebumps re /
membering my abacus at times
my marathon, suck me
into secret lather / rafflesia
III.
another person
reclining under / taxidermy
all of them running
through me, viscous, what
IV.
came over my reflex
something concerning
smoke / why my feet
are fruit rinds: try to think
of when / how the cord was cut
Your friend is treading water
with a lion cub, and you agree
it’s cute, her head half in
its mouth. If yours is dry
and you wait in sandy ruins,
pants down, urine will still
travel through, and it may burn
but many bulls will surround you. When facing
a bull, or a man smoking
in the bathroom, you may take all smells
for incense: that faux pas,
your real salvo. Then Saint Geneviève will speak
though her feast is not kept
at this time: long white braids
squaring off her face, one hand squeezing
a huge candle, its flame invisible,
melting her halo.
on your orchard,
pick up an orange and press
the skin, feeling for strings where they
shouldn’t be. Open the door.
Some ancient instrument
washes your floor. Do you notice
the votive candles
all at once cutting the sides
of the room. Do you let the yellow
map the pulp.
Hooded people are dancing their faces
covered with daisies. Silence
fattens the space we cannot
grapple with but nothing Jurassic, no prongs.
There are no caked mouths, just
our normal mouths
dry. A plastic entity, a ghost half-open
floating past all the artillery
even as it invents for us
new puzzle forms. Doors
open and close in cuts. We’ve
been staring down
at our calculators for so long
we cannot now rot. We could analyze
the motives for this procession
the apocalyptics
who flicker with math
who ask if we bear some relation
to Adam and Eve and we hear
them peel off our shirts,
the taste of milk that lingers
long after swigs of mouthwash, which
is a glitch, yes, as inside us
a llama stands and spits
at the ceiling. Skydivers have the fog and we
go quiet. Fondling the data
of our membrane, a cloudy bed
with veins and cogs when
a Ferris wheel descends
piece by piece, in infrared, a lie
of nothing in particular. We hear
the place empty, Zambonis trying to enter
the altar of what we saw,
a valence of bones. But who wanted to be
cremated. Who was scooped
by a ladle instead. Who, before their passing, rubbed
their knees, who told us to look
at a video of a tiger
having a seizure. We look up
and see the sun limping through an annex.
Colors and angles are crashing
and the sky is stringy
but now banished, gray scales
coming and going then throbbing
in silence, while at the other end
of the rink nerves misfire, the phalanx
arriving not to be wiped out by the ice.
Christopher Janigian is from Rhode Island. His work appears in the PEN Poetry Series, Prelude, and Web Conjunctions. He is an MFA candidate at Columbia University, where he is the poetry editor of issue #55 of Columbia Journal.