That was the gulf feeding into
The inlet opening
The gamut of coastline the relief map
Distributaries softening
Up over the lawns the precipice the green
So hard the nose smarts the earth determined
The word dismantle
As the radio waves rise up
In defense as the public exits
The theaters the siren is a baby
Interrupting & choking as you drift
Away as you were saying please
Please let me be here
A little longer singing
I don’t know why I love you
But I do I don’t know why I cry
So but I do the feed
Refreshing its assault hissing
You be the lamp I’ll be the hurricane
You be the body I’ll be the torrent
Dear Odie,
I grab candy with my bare hands in the grocery store
Openly sinning against cleanliness stark raving mad
& behaving badly not stealing not unlike
An explosion of flimsy plastic bags the sound
Of someone suffocating inside
Those flimsy plastic bags like something’s
Going down like that’s all just street talk for something
That can’t be spoken otherwise for fear
Like whistling or saying your God-given
Name like snow very generally in Joyce’s story is our own
White mortality our sadness too
Have I written yet about these amazing watercolors
Painted by Hitler –a newly inappropriate expression
Of this theory I have about bad people about how people
Are bad but they participate in the same world our world
How daringly new is my violence how inventive this
Hatred as it spreads across the nation how like His raiment is
The Dream we can’t carry on without being morbid but you know
What’s really awful about that story of Abraham is when
God said to Abraham kill your son and Abraham got up
And saddled his donkey like Hannibal saddled
His crushing elephants & led them into war like
He was prepared for something my theory is he knows
These things we don’t know yet we hope not
To endure that evil isn’t concentrated but
Thorough and among us in our clothing it rises
Above us I had never even once considered that
A strong wind threw the baby birds down
I thought there was always a hand a conspiracy
A machine a great big voluntary action how
Every muscle blinks at once and grabs without a word
Not the sound of Earth reverberating how
Unlike the bomb is the flinch?
Love,
Young disaster of the body
Of the water of the airspace
You cannot rehearse
Your demise enough
It could be a bridge
You cannot fathom
The wake of general
Destruction as it is represented
On multicolored maps you don’t
Build the shelter to fall
Apart but you should
Follow the blue
Print to the heart every
Room is a triage cascade
Of windows of maladies
Contagion unable to stop
The advancing disease
It will come to you
It will cover you
The emergency was so big
It became a distant war so
Hard it smarted like snowballs
With ice white hot as light
The eyes open into
During the American Revolution
They dragged a great chain
Across the river to block
Invading ships if these gestures are
Also language show me
The signal for
GET ME OUT OF HERE
or THE WAVES THAT
WILL KEEP ME
FROM REACHING YOU
Multiple groups of people
In an enclosed space are
Called a crush when they
All leave at once that’s
The exodus I said FIRE
Inside look I said I found
A boat
If one of us knows
How to sail will we be
In the sea or on it
The sea made of glass
My heart of the sea
The stomach of the whale
That ate me
In the days after in the nights
When the mountain hadn’t
Come to Mohammed we
Wandered longly the
Loyal dogs departed for
There was no light
First
We imagined the emergency
Then we practiced survival
Waving the white of our surrender
Everywhere making anything
Into an opening I’m not just coming
Into the shore I’m crashing hear them
Cheer out in the harbor
The silent anniversary of our Volvo
In the autumn I was fire
In the name of Carolus Linneaus
Father beloved of taxonomy
For his honor
For the lake did look
Like the ocean like
The insufficient distance
Between glisten and
Liken the island
Is only quasi-legal
Shanties flora with fauna
I wish
I was brave as a sculpture
A great big house
On the water akin to
A prow along the cliffs
Above the Hudson this wanton
Explorer’s dream is bullshit
I said it
On the bridge or
In the darkness I want
To fit together bride
Of multitudes carving up
The railway trestles with
This anthem abandon
abandon.
fat pigeons of the daylight feeding on garbage
forgetting
to be decent pigeons this stupid decorated town
national
holiday apparent in the streets there will be a parade
costumed
puppies my sweater was one of the many things I lost
tearing
across country the way I did a fire on the prairie
a light
in the city the problem is there are enough sad
songs
to comprise the distance alone in winter
Mississippi
the great swallower every few miles a stranded
quarantined
car in the headlights no radio station alive
this is
a quaint little dream we have of becoming
new
wearing a different stupid town without our problems
Odyessian
disaster is almost always caused by Zeus we discussed
this
once over dinner when he blows the survivors to the Lotus
Eaters’
island they forget the wanting that has propelled the story
this far
why the anchor is a symbol of hope when it’s so heavy don’t
ask me
I’m not in charge the method for naming hurricanes is purely
alphabetical
sometimes the world is not ordered for posterity sometimes
the herald
falls in with local cannibals and must be abandoned
nobody’s
gonna protest that the horseshoe and the wishbone have the same
general
shape and omen seems indisputable til nightfall when you can’t
make out
the sky from the road light blue churning dark purple into the deep
then black
unmeaning & us unseen & unspent unaccounted for
The car becomes this gesture of the world moving in the landscape where everything human Appears sinister decimated cacti distancing towers what must be
500 miles of a wire fence holding in nothing winged of nothing radio transmissions shimmering Unseen some warning every few miles regarding radiators google
The mountain we are driving through google succulent water source no google succulents Blooming in the desert a ride on the vast like Jerusalem now all of us in our
Vessels on fire it felt like the serviceable ideas of valor
Had abandoned us and the mountain was a terror and a periodic sign regarding the high Probability of fire erasing you just didn’t dare google spigot or the origin of the phrase
Like drinking from a fire hose they were saying about the killer bees here they were saying Its fire season they were saying beware of mountain lions it was a relief when
We arrived without dying it was a relief the dogs were not left out overnight it was a long way Back down & in whose countenance we left civil life behind not fearing the desert
Not worshiping it
We made of everyone our requisite protest as this sun setting
Windward but gallant along the bridge and facades keeps the air thick
In difficulty there was this oxygenating quality
To the day we were not hungered not lessening not orthodox
In this undertaking look this relentless taste of copper look this song
Of aubergine we reign neon magenta in the distance soft warmth
Assembly of
Proper horizon gradients creamy tangerine some cement oxidizing in our mouths
Nodding fluidly not hastening here not shade saying we make the police so we can
Be the police proclaiming this shall be the police state traveling
Waving signs that read one just gets swept up toward some tender
Water placing the radiant cap of twilight the point at which night
Becomes us not deafening not militant in our desires ever fastening to the mast
Of it the voice soft and we feathers blown over meant to witness wanting some illness
To answer to lend legitimacy context licking each wound with the textured font
Of the tongue drawing the margin not stopping
On the mantle of our crossing who maligned these narratives
Of our resistance forging toward not against compromise
Not yet not yet
Subsumed the wilding glory in cities the mind vernacular blue
These narratives of our capitulation counting venial we were listed
In the Corporation Wiki as interlopers but we were the protagonists
In the world of the world we say the protagonists the clouds moving in from behind
Over the periphery over our heads like a story like the theory of everyone we named
Enumerated the old meanings we think of the war we say it again we
Are rooms occupied not darkened against spies not acquiescent in the mind never in the heart
Resisting watching yet the watching wanting to take part in some radiant
Singularity the non-
Violent program of our oversight responsible for this assembly our
Replacement government is compassionate currencies in kindness we wed it
To the grey world around us logging all manner of erotic responses pre-empting
Seascapes every arrival we slipping in and out of we
Were slipping loose this litany of protection we laid it down again
Upon the water there is a divergent water a riot
Of ugly injuries a novel the way it goes on the crude machinations of this bluing
Morning where is a current turning on itself and ravishing you feel all human to tell
The truth about it we are an age of conviction we employ innumerable
Messengers innumerable signs adaptors so adopted a policy of erasure not in relationship
To each other but the world like an ocean not triumphant like the will not so willing
As the body indexing the true metropolis riding subtly through the breathless paceless
Violet one deep going down violence in autumn it was autumn burning off it was wicker
Out of place thatch and shoal the sallow summer spit out of memory afire afar
Aft of sunset everyone small is swimming away
Into flames we didn’t feel it get colder our feet never touched the bottom and buildings
On the shore that would not last
We were left carrying our fixed values, a loosely knit
Family of arsons we had been informed we had been here before we were made known
We had names for the faithful who burning in earnest might resemble the protagonists might
Enter the plot and the fold we afford it ever advancing swathed in knowing
Shining armament clever all over with cunning raw ash in our midst—
Meg Barboza's poems have appeared in 1913, Court Green, Denver Quarterly, Jubilat, Little Red Leaves, New American Writing, notnostrums, P-Queue, Weird Deer, VOLT, and elsewhere. She earned a MFA in Poetry from the School of the Art Institute of Chicago. She currently lives in Brooklyn and works for the New York City Department of Education as the Director for Engagement.