walk around the room until
the sun rises
expect to see my face in the mirror that you moved
last week
I try to take love up
out of these words
it stays, won’t move away
from the night you told me you didn’t trust nuns
voice hanging
like brass ornaments around your head
gestures carrying us towards
a storied death
the punch line is
I don’t know what you want
the punch line isn’t long enough
to mention that
ten years ago I became a table
you made in your workshop
my well earned self
still residing along the edges
ve got a plan for when the world
empties itself out into me
counting the coins on our bedroom floor
listing tasks
from the dead center of love
earth the ghost inventing
my body keyhole
the world is a balloon
stretched over nothing left
muscles full of sea life and whatever else
this planet hides in us
I’ll listen to you shower
an hour of another word for water
falling onto another word for tiles
I’ll paint you and call it Sea Urchins
there will be missing colors
there will be how
you loved this town, low and old
I could take you in again
like a moth in my mouth
beating grey and damp
I am willing to eat your false body
from then on, in any mirror
my own limbs would surprise me
anxiety becoming the desire
to pull my teeth out by the each
tongue the sockets
while I shine
them into jewelry
singing, let’s ruin heaven
because nobody loves everything
we can’t wrap lead bandages around each other
their weight would take us plummeting into the earth
into its other center, the one that isn’t your eyes
and my wish to excavate the new metals I see in them
your smile is still studded with teeth
the further I get from wanting to nail myself
to you like a crucifix, the shinier the spit looks
in this house with its’ five bedroom tombs
I spend the days telling the raptors
who come for my love, not now
they’re dressed up like priests
giving daily bread, circling like gods
dreaming up my future flesh
dreaming up its riches
don’t they see how this body
tethers good to itself
how above us clouds are thickening
the wind will be here soon, fast after us
with revolting promise, frightening
the wingless into flight
turning the women over in their sand graves
prefer the hunt, or the silence after
this home allows me to become one of is belongings
I never had to ask the walls to desire me, but there I am
nailed above the mantle like a painting
done by someone who lives very far away now
someone who treats time like a letter
they address but do not send
and the other poems are carrying flowers
or howling at what is outside of the poet
while I began the thorough divide
of like and like images, it left me standing
on 59th and the trains passing entirely into image
entirely for the alter of hallucination
Natalie Briggs grew up in Australia and has been living in Portland, OR for the past few years. Her work has appeared in Lexicon Polaroid, JerkPoet, and PANK. A graduate of the IPRC Poetry Program, she is the author of the self published chapbook, The Burial Is Polite.