You may, in the comfort of your bed,
swear off loneliness as lack of inspiration.
Then, as if by smell, you sense some
room is burning, must be burning
by no one’s fault but yours. To come
without instructions. Insert here, a platitude:
an apple a day keeps the crippling drive
to call in sick away because. The Master.
Because. The Internet? Because it hurts.
To dream. In so far as to sip this country
and all its sorrows all at once, to gulp
the woman sprinting barefoot through her canon:
reed of mud, swamp and painted glory, image
after image on their phones. You think
we must be going crazy as a people.
To wash off all this blood, whose hues
we cannot name but near pastel, falsetto,
there, our own two hands. The First World waits.
It always does, for in each corner of our beds,
we cannot cry much more than this. To sleep.
To pay one’s rent. If possible, to fold
that naked body like a balm, like gauze,
to hold each other as a limb, to swear off
Wi-Fi, Uber, Love. And more. To wait!
To Vlog. To pay one’s rent again. In this
full-length pond above your bed, you stare
and count the days.
A provocation, unlike any other, ask me if the panther preys on Cú Chulainn, the boy, who in his legend killed a hound, becomes the hound.
I heard that in his howling, Milo turned into a man. If only it could be so easy.
Man becoming Man becoming shroud, oblivious to melodrama,
such as the kamoshika, or Japanese goat-antelope, which, grazing in the snow despite no acorns left to eat, marks her earth with vinegar and salt,
such as a link between our solitude and something holy. I get depressed when losing one more winter to the whorl of Wikipedia, to find no myth that we can truly believe in.
write a new myth.
Let it grit
between my molars
turns into shine.
sleeping in its lies.
summon my own hero,
to guide her
by the hand and ask
sign Here and Here.
not a contract but
to feel safe among
If this illness had a name, it would be failure after failure or confinement or that with which we stalk our idols almost daily, who’d rather be celebrity if nothing else, would rather be in Hollywood.
If knowing that forgiveness feels like starting over, perhaps I wouldn’t have to be here, a music video in the shape of a heart, an elephant is an elephant is one shot in the dark, rolling in that beat like lyrics strung together just like this, to recite what feels good, if nothing else, I’d rather be a hypnotist.
Oh, boom. Oh, boom. Oh, boom.
This is the fugitive
with whom we’ve had some part, the timid face in soft
I should shower.
I really stink of being woken up to this pace of progress,
as Paolo Nutini
sings in “Iron Sky,”
that’s fast becoming our minds. I neither take this gloom
as mere coincidence
nor this generation
who’s fast becoming slow-footed, un_____ful, sick and sicker.
Leave it to the elders
to diagnose what they
no longer see, a swarm of locusts in a field of groaning tanks,
retired, thus insisting
life is better,
so much better than before, meanwhile, an earthquake rocks
another city to submission,
black birds dropping
from the sky in thousands upon thousands. Leave it to the ones
who suddenly feel sad
for no immediate reason
but a lifetime of some system working slowly through our bones,
a cancer, then a nation,
over fear and into freedom, oh, that’s life.
Sophia Terazawa is the author of I AM NOT A WAR (Essay Press, 2016).